Italian Renaissance Art Techniques

The Twentieth Century “Italian Painting” Review

The development of 20th century Italian art can be said that the international situation will, and a variety of genres famous expert after another, the excitement of the year can take away from the Renaissance era. In this century the development process, both the familiar and the futuristic new wave of surging air painting, but also the visual return to the classical situation. In addition, geometric abstract landscape still life works and works for the mid-20th century Italian art adds a brilliant stroke.

In 1945 for the sector, the Italian art in the latter half of the 20th century took a new step, neo-realism art, lyrical abstraction, non-form drawing and painting concepts, to the Italian art scene, resulting in unprecedented prosperity. The Pop painting, poverty, and super-avant-garde arts, but also to bring the vitality of art in Italy.

Italian art before 1945 has gone through four major stages: the first phase from 1900 to 1908, many artists are popular doctrine of separation of style, absorbing half of the 19th century, the color-garde artist practical experience and is committed to exploring new trends in colorful language. Bo Qiaoni of “Bala’s wife and daughter” (1906) and other works called the representative for this phase

The second phase from 1909 to 1918, which is futuristic style of oil paintings art in Italy’s most popular stage. We see “future Manifesto” (1909), “Declaration on the future painter” (1910), “Futurist Painting techniques Declaration” (1910) and other documents have come out. Bala’s “Speed​​” (1913), Kela Li’s “power curve” (1930) and emphasizes speed, strength and freedom, Kela Li’s “Air Duel” (1929) and other “air painting” is also highly Welcome. The third phase from 1920 to 1938, Maroons Sigma’s “Autumn” (1924), opi “three Bathing Woman” (1927) and a lot of work left futuristic development path, for aesthetic complex classical regression. The fourth stage from 1930 to 1945, the Italian art presents for the “classical return” of the confrontation, there have been Manie Ni’s “almost immediately” (1937) as the representatives of geometric abstract works to Moran Di’s “Still Life” (1936), “premises landscape” (1941) as the representative of the “type of poetic” features landscapes and still life works. 

Italian art after World War II entered a new stage of development, in 1945-1955, between figurative art and abstract art had a heated debate between, 1946′s “Declaration of realism” into the debate important topic. 1950-1965 period, lyrical abstraction, the concept of non-formal painting and drawing became the new darling of Italian art. A Fuluo the “lost wax” (1957) beyond the concrete and abstract topics, and gathered the attention of the inner world of reproduction, the screen is full of imagination and memory. More than Lazio’s “Zoo Story” (1962) in mixed colors on the painting surface expression of esteem for new experiences and learn from the abstract.

1960, the new realism, pop culture, poverty, art and avant-garde art in Italy over the growing popularity of these arts as different styles of contemporary Italian art, the 20th-century Italian art to unprecedented heights. Sijifanuo the “Coca Cola” (1972), “Bicycle” (1980), Bo Aidi’s “five number of doors” (1996-1997) and other works are the highlights of this period to make. Not long ago, in the Guangdong Museum of Art’s “20th Century Italian Art” is the 20th-century Italian art comprehensive review of outstanding artists on display 61 of the 119 Italian important works. 

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